![]() ![]() Fab then adjusts the decay time on the plug-in to make it a little longer, to about 4 seconds. The plate sounds a little richer and decays a bit longer. He first plays the vocal through the plug-in and then the actual plate. Next, Fab says he's going to compare the sound of the UAD EMT 140 with the sound of a real plate reverb, which he has access to in the studio he's working in. In this video, Fab compares the EMT Plate 140 plug-in with an actual reverb plate. The result is picked up by a contact microphone that's also attached to the plate, and returned to the console. The metal plate has a transducer (which functions as a speaker) attached to it that reproduces the sound sent to it from the console, causing the metal plate to vibrate. It's constructed of a large piece of metal, suspended with springs inside an outer casing. Instead, he says it sounds like, "a lush, big piece of matter just vibrating."Īnd that's exactly how a real plate reverb works. After playback, he observes that the reverb sounds metallic, but not in the annoying sense. In this excerpt from the video "How To Listen: Reverb Edition," Fab DuPont begins by playing back a soloed female vocal singing a soft melodic line through a UAD EMT 140 plate reverb plug-in. ![]()
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